Six-year-old ballet dancer Charlotte Nebres prepares for auditioning as boys and girls ages 6 to 7 try out for The School of American Ballet Winter Term at the P.S. 124 Yung Wing school in New York's Chinatown on April 16, 2015. The School of American Ballet was established in 1934 and is one of the premier ballet academies in the United States. (Photo: TIMOTHY A. CLARY/AFP via Getty Images. Shared with TSD via TheRoot)

She’s just eleven years old and just made history.

Charlotte Nebres is starring as Marie, the young heroine of George Balanchine’s The Nutcracker, which opened Friday at New York City Ballet. She’s the first black ballerina to be cast in the lead role for the prestigious company.

The Madison, NJ native’s barrier-breaking achievement is a milestone for the holiday-themed production, which dates back to February 2, 1954 — when Balanchine put his own spin on the E.T.A Hoffman’s 1816 scary fairy tale after dancing in Marius Petipa’s adaptation in 1919 when he was 15.

Set to Peter Ilyitch Tschaikovsky’s classic score, Balanchine’s The Nutcracker features the New York City Ballet’s entire roster of more than 150 dancers and musicians, as well as more than 125 children, in two alternating casts, from the School of American Ballet, the official school of New York City Ballet.

 

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IN THE NEWS // The four children who alternate the roles of Marie and the Nutcracker Prince were recently profiled in The New York Times by Gia Kourlas. She sat down with them to discuss the rehearsal process, their lives off-stage, and their roles in the ballet.⁠⠀ ⁠⠀ When asked about why ballet is important to her now, in this moment, 11 year-old Charlotte Nebres, pictured here in rehearsal for her role as Marie, said:⁠⠀ ⁠⠀ “To me, it just feels like when I dance I feel free and I feel empowered. I feel like I can do anything when I dance. It makes me happy, and I’m going to do what makes me happy. You don’t need to think about anything else.”⁠⠀ ⁠⠀ Photo: Heather Sten @heathersten for The New York Times @nytimes⁠⠀ ⁠⠀ See these very young dancers, who are the heart of George Balanchine’s The Nutcracker®, now on stage through JAN 5. Tap the link in bio for tickets and more information.⁠⠀ ⁠⠀ #nutcracker #nycbnutcracker #thenutcracker #nutcrackerballet #holidayseason #georgebalanchinesthenutcracker #ballet #dance #balletdancer #dancelife #balletlife #instaballet #dancers #choreography #balanchine #nycb #nycballet #newyorkcityballet #newyorkcity #linkinbio

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Nebres, whose mother is of Trinidadian descent and dad’s side is from the Philippines, was six years old when Misty Copeland became the first female African-American principal at American Ballet Theater.

“I saw her perform and she was just so inspiring and so beautiful,” she said in an interview published Thursday by The New York Times.

“When I saw someone who looked like me on stage, I thought, that’s amazing. She was representing me and all the people like me,” Nebres added.

Copeland has won raves for portraying the princess role in ABT’s production and even was a featured dancer in Disney’s The Nutcracker and the Four Realms last year.

She’s the middle child of three who attends the school and the one her mother, Danielle, refers to her as a quiet and artistic “free spirit” who likes to draw and sing.

When she broke the news to Charlotte that she was the first to portray Marie, her response was “Wow. That seems a little late,” Danielle recalled.

The other young leads this season are people of color, too.

Tanner Quirk (the Prince) is half-Chinese; the alternate Marie, Sophia Thomopoulos, is half-Korean, half-Greek; and the alternate prince, Kai Misra-Stone, is half-South Asian.

“It’s pretty amazing to be not only representing S.A.B., but also representing all of our cultures,” Nebres said of the diversity.

Being etched in history is not lost on her either.

“There might be a little boy or girl in the audience seeing that and saying, ‘hey, I can do that, too,’” she shared.

“To me, it just feels like when I dance I feel free and I feel empowered,” she said. “I feel like I can do anything when I dance. It makes me happy, and I’m going to do what makes me happy. You don’t need to think about anything else.”

Charlotte Nebres is the epitome of Black Girl Magic.

Remember her name.

 

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IN THE NEWS // The four children who alternate the roles of Marie and the Nutcracker Prince were recently profiled in The New York Times by Gia Kourlas. She sat down with them to discuss the rehearsal process, their lives off-stage, and their roles in the ballet.⁠⠀ ⁠⠀ When asked who the Nutcracker Prince is to him, 11-year-old Kai Misra-Stone (pictured at top right) said, “The Prince is this character that develops. In the beginning, he is Drosselmeier’s nephew and then it’s almost as if he transforms into the Nutcracker and then goes back to being the Prince. He comes out of his shell and just opens up and is like: Here I am.”⁠⠀ ⁠⠀ Thirteen-year-old Tanner Quirk (pictured in the foreground), is the oldest of the four, and has also previously played Marie’s bratty brother Fritz in the production. to him, the Nutcracker Prince “is very brave and compassionate especially toward his Marie, which is what I aspire to be like in real life, too.”⁠⠀ ⁠⠀ Photo: Heather Sten @heathersten for The New York Times @nytimes⁠⠀ ⁠⠀ See these very young dancers who are the heart of George Balanchine’s The Nutcracker®, now on stage through JAN 5. Tap the link in bio for tickets and more information.⁠⠀ ⁠⠀ #nutcracker #nycbnutcracker #thenutcracker #nutcrackerballet #holidayseason #georgebalanchinesthenutcracker #ballet #dance #boysdancetoo #balletdancer #dancelife #balletlife #instaballet #dancers #choreography #balanchine #nycb #nycballet #newyorkcityballet #newyorkcity #linkinbio

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